Grace Lightman Reviews: Jamie Yost at Nook Houseplants
A gig at a houseplant café? We didn’t expect it either — but it worked, beautifully. Plymouth Culture’s Music Ambassador, Grace Lightman, shares her reflections on Nook Houseplants’ first ever live music night — a sold-out show during the heatwave that turned out to be one of the most quietly powerful gigs of the summer so far.
Last night, Nook Houseplants held their first ever gig – and it couldn’t have been a better setting for it. The leafy, sunlit café space has recently opened as part of the already well-loved plant shop, and this felt like the most natural extension of what they do: thoughtful, warm, and community-focused.
It was a sold-out show, hosted during the middle of the heatwave, and the atmosphere reflected that – hazy, still, and full of quiet anticipation. With the space co-run by musician Becca Langsford, I had a feeling the event would be well curated, and it absolutely was. Both owners Becca and Nieve clearly understand what makes a good live music experience, and that care came through in the pacing, the setup, and the relaxed but respectful tone of the night.
The audience had the option to sit or stand, and the room stayed calm and comfortable throughout. I always appreciate a gig where people are actually listening – and here, they really were. No chatting over the music, no pushing for space – just a room full of people genuinely engaged with the performances.
First up was Charlie Noordewier, previously of The Native, now playing solo. I didn’t know what to expect, but he genuinely caught me off guard. Just vocals and guitar – but delivered with real clarity and presence. He reminded me of the power of folk when it’s done right: so deceptively simple, but when paired with strong songwriting and the right delivery, it becomes something quietly devastating. Charlie’s set was delicate, understated, and totally arresting. I really hope we get to hear more from him.
Headlining was Jamie Yost, joined by a bespoke lineup featuring Fergus Tanner on keys and ambient guitar, Kate Hall on backing vocals, and Simon Walker on cello. Jamie himself took centre stage on guitar and vocals. The group created an atmosphere that was emotional and immersive – polished, but still full of feeling. Jamie’s songwriting has always leaned into the emotive, and this setting allowed it to land exactly as it should. Warm, honest, and moving.
Every part of the night felt considered – from the way the space had been set up, to the way the audience responded. The gig was sold out, and yet you could hear a pin drop during the sets. It was a reminder that Plymouth audiences do want these kinds of shows – spaces where music isn’t background noise, but the main event.
Nook offered the right kind of setting for that – one that prioritised the experience for both performers and audience. A strong start for their live music series, and hopefully the first of many.
