Laura Tebbutt on why Punch is a play Plymouth audiences should not miss
Pamela Raith Photography
As Punch arrives at Theatre Royal Plymouth, we caught up with actor Laura Tebbutt, who plays Jacob’s mum in James Graham’s acclaimed production. From her early love of theatre to the emotional impact of telling this real-life story, Laura speaks to Bracken Jelier and reflects on kindness, forgiveness, community and why this powerful play feels so urgent right now.
For those discovering you for the first time through Punch, how would you describe your journey into acting, and what has sustained your love of theatre over the years?
I loved theatre from a very young age. My entire family were extremely passionate about it and encouraged me to watch as much as possible. My first show was Annie at the age of 9. Although no one in my family made a living from theatre, I knew that somehow it must be possible! Theatre is a medium that continues to bring people together, whether that be behind the scenes or in the auditorium. No matter what changes externally, theatre is and always will be a place where you can feel inspired, moved and a part of something greater than yourself.
Your recent credits include large-scale musical productions such as Mrs Doubtfire, School of Rock and Fiddler on the Roof. What has it been like stepping into a play like Punch, which asks something very different of both performer and audience?
Punch has been a truly eye opening experience for me. Of course there are many similarities in the way the production operates, but the main difference for me has been having a real-life story to reference. The majority of these characters exist and can be contacted for questions and/or support! We are telling a very recent story which feels extremely relevant and poignant. Walking through these places in Nottingham on my way to work has been truly surreal and connecting with audiences that have first hand experience of these issues has been something I will never forget.
What first struck you when you read Punch for the first time?
The extraordinary kindness of normal people. The story of Punch is truly tragic and awareness of the One Punch has been increased thanks to its very existence. However it is the themes of kindness and forgiveness that truly struck me when I first read it. You almost wouldn’t believe that these characters existed if they were fictional. It would be too unbelievable. But the magic lies in the fact that they do. They are real people who turned a tragedy into a legacy that will continue to inspire others long after the play closes.
You play Jacob’s mum in a story rooted in real lives and real loss. How did you begin approaching a role like that?
It’s difficult to approach something like this when those affected are still around and involved. I think you have to collate the information necessary to portray them with respect, but then there’s a certain element of taking that and then creating your own version of that person. Jacob’s mum is described constantly as very kind, caring and compassionate. So those are the qualities I try to lead with. There is often a temptation in stories like this for audiences to look for villains or easy answers, but Punch seems to ask something more complex of us.
As a performer, what do you think the play opens up about judgement, grief and forgiveness?
I think this is the beauty of the play. Even friends and family who have seen it have differing opinions on the themes. I think we’re putting forward a story of real people who have real lived experiences and asking the audience not to judge them but to be compassionate and understanding. There are grey areas in life and in relationships and we can live within that whilst still moving forward.
This is a play that has sparked lots of conversations. Did that wider social and political resonance affect the way you thought about being part of it? Were there things you found yourself reflecting on personally while working on the show?
The biggest thing this play has shown me is the importance of theatre in community. I have always used theatre as an escape from reality, but this play forces you to see how closely linked life and the arts can be. We’ve had performances specifically designed for schools to attend and witnessing the atmosphere change in the auditorium as the play progresses is something I will never forget.
What has surprised you most about audience reactions to the play so far?
I think the conversations it sparks. I have sat having a drink after the show and a couple came up to me saying they’ve just been talking for half an hour about forgiveness and what it means to them both. Everyone just has so many questions. So much more they want to know/learn. About the real-life people and about Restorative Justice.
Without giving too much away, are there particular moments in the production that feel especially powerful from where you stand on stage?
There are so many. I think because I saw the show in the West End before I was cast in it, I know the moments that effected me personally. There is a scene in Act 2 that is particularly moving. I am not in it, but I watch it from the wings. You can hear a pin drop.
For someone who may not usually choose a night at the theatre, what would you say makes Punch a powerful first play to see?
I would say it is the perfect first play to see. It is so rooted in reality, the story, the themes, the way James Graham writes, it could be a TV show in that sense. But you’re a part of it. You’re sharing that experience with a room full of people. Plus the play is only 2 years old. You’re witnessing something so current and relevant. The only issue you may face is that it’ll be tricky to live up to when you go back to the theatre!
After performing in such an emotionally charged show, are there any little rituals, routines or bits of backstage silliness that help you reset?
There are only 6 of us in the cast and as we play multiple characters we don’t often see each other backstage! We have a ‘circle up’ at the beginning and end of the show where we chant our favourite line together. Also we’ll often put music on in the corridor after the show to help unwind. Although the show deals with heavy themes, the overriding feeling at the end is that of hope, so that’s not a difficult thing to leave the building with!
Touring productions can take you to lots of different places. What do you enjoy most about life on the road?
I really enjoy seeing snippets of the UK and getting to do a ‘best of’ knowing that our time is limited! It’s so interesting to see how shows can have different types of audiences and different reactions depending on where you are. I also love visiting different theatres! They can vary so much from week to week and although the set remains the same, the backstage is a completely different place to explore!
If you get any free time while in Plymouth, is there anything you’d especially love to see, do or eat while you’re here?
This is my first time in Plymouth and I can’t wait! My partner toured here a few years back so has given me some recommendations for good food and coffee! It is our last week of tour so we will be making the most of it! I’m hopeful for some sun so we can spend some time by the sea, rounding off what will have been an extraordinary few months with this play.
Finally, what do you hope audiences in Plymouth carry with them after seeing Punch?
I know that audiences will be moved by Punch, I have experienced it as an actor and as an audience member. I urge people to come to their local theatre, support the arts and see what the power of an extraordinary story told in this way can do! This play has been to the West End and Broadway and now it is just down the road!
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In addition to the Talking Circle, TRP are hosting some wrap around events for audiences of PUNCH to engage in. All events are free, please see each activity for booking information.
Wed 15 Apr - post-show talk
The lyric | 10 - 10.30pm. After the performance, join a panel discussion led by TRP’s Director of Public Engagement, Kadus Smith, to explore insights into the production and its creative process, with the company of PUNCH. Open to ticket holders for the performance of PUNCH on Wed 15 Apr.
Thu 16 apr Fri 17 Apr - Workshop with Andy's Man Club
The Lab | 5.30 - 7.30pm
Andy's Man Club are a suicide prevention charity offering peer-to-peer support. On Thursday, Andy’s Man Club will host a session for audience members to attend ahead of the 7.30pm performance of PUNCH. The session will include a presentation and interactive discussion. Please book in advance through TRP’s website or Box Office.
Workshop with m.a.n. culture - the lab | 6 - 7pm
Join M.A.N Culture, a Plymouth-based male allyship network, as they confront and counteract ‘lad culture' by meeting men and boys where they are. In this workshop, they’ll host honest, open conversations about masculinity and male violence. Please book in advance through TRP’s website or Box Office.
